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True to form, he manages to retain a sliver of his egomania even in his darkest hour, claiming his "Egyptian voice will hypnotize." After three decades of being entranced by he of the magnificent bouffant, maybe it's time we concede the point. -Renato Pagnani With "I Cry (Night After Night)", Egyptian Lover not only paved the way for the sad robot music that the likes of Kanye West and Future would go on to push farther and into weirder territory, he also helped establish a trope that rappers still employ to this day: the sad-sack confessional that humanizes their bulletproof tough-guy persona, or in Lover's case, his gift-to-womankind lothario status. Absent is the Egyptian iconography that situated the Californian DJ/producer/rapper/electro pioneer's early-'80s output squarely in the realm of Afrofuturism while also giving it the faintest whiff of novelty in its place is the musical equivalent of crying into your pillow after eating a pint of Ben & Jerry's. "I Cry (Night After Night)" might not be Egyptian Lover's most famous anthem (that would be "Egypt Egypt"), but it remains one of Greg Broussard's most influential. Though the Cenacs and the Craftons continued to record sporadically until 1989, they didn't hit the R&B charts after 1986.The original 808s and heartbreak. Without a single as noteworthy as "Jam on Revenge" or "Computer Age", and with the advent of Run-DMC's organic, rock-influenced approach to rap music, Newcleus faded quickly. The first Newcleus LP, Jam on Revenge, was a bit of a disappointment, and their second album, Space Is the Place, did even more poorly upon release in 1984. "Computer Age (Push the Button)" was a more mature single, with accomplished rapping and better synthesizer effects, and it also hit the R&B Top 40. The single hit Top 40 on the R&B charts in 1983, and its follow-up, "Jam on It," did well on even the pop charts.
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A huge street success, the track became known unofficially as "the Wikki-Wikki song" (after the refrain) when it was re-released later that year on Sunnyview Records, it had become "Jam on Revenge (The Wikki-Wikki Song)". The track, "Jam-On's Revenge" impressed producer Joe Webb more than the other Newcleus material, and it became the group's first single, released in 1983 on Mayhew Records. With several minutes left at the end of the tape, Newcleus recorded a favorite from their block parties, with each member's vocals sped up to resemble the Chipmunks. By this time, Cenac had begun to accumulate a collection of electronic recording equipment, and the quartet recorded a demo tape of material. (The foursome named their group Newcleus as a result of the coming together of their families). Many members - MCs as well as DJs - came and went as the group played block parties all over the borough, and by 1979, the group centered around Cenac, his future wife Yvette "Lady E" Cook, Monique Angevin, and her future husband, Bob "Chilly B" Crafton. The origins of Newcleus lay in a 1977 Brooklyn DJ collective known as Jam-On Productions, including Ben "Cozmo D" Cenac, his cousin Monique Angevin, and her brother Pete (all teenagers and still in high school).
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Profile Although they recorded only two albums, Newcleus contributed one true electro classic in "Jam on Revenge (The Wikki-Wikki Song)," which has been immortalized on hundreds of hip-hop mixtapes and often included in even techno DJs' sets. This has never been released on any commercial recording anywhere! Whether you are a big fan of Newcleus, or a serious connoisseur of Old School Hip-Hop or Electro, or just a lover of good music, your collection is incomplete without this incredible reissue of Newcleus' classic Jam on Revenge! Product Details
Yr newcleus jam on it came out full#
Also included are the full 12 inch versions of "Jam on It", including the instrumental! Finally, this release is rounded out with the original studio arrangement of "No More Runnin", which was taken from a rough mix of the song made right after the original studio session. The song "Where's the Beat" has been extracted due to it's not actually being made by the group, but every other note and beat is included as it was originally released, from the opening narration and the sound effects joining the songs to the classic Hip-Hop and Electrofunk in-between. Digitally re-mastered and expanded edition of the pioneering first album from the group that epitomized the spontaneous, simultaneous and glorious emergence of the Hip-Hop and Electro Funk genres.